The Fender Mustang GT series of amps seemed like the perfect way to have more sounds at my disposal without having to do more research - or investment - than I'm willing to.Īt its most basic, the Mustang GT is an amplifier with all you need built in. It's never perfect, and I don't want to manage a massive pedalboard full of all the expensive stomp boxes I'd need to fully recreate all the different guitar sounds. The thing is, I spend a lot of time trying to approximate the sounds of the various artists we cover, from Michael Jackson to the Human League to Hot Chocolate. The guitar signal then connects to a Fender Super Champ amplifier, which is tiny but packs enough wallop for almost any gig I've ever played - from small two-person stages to large clubs. I use a Mexican-made Telecaster that plugs into a couple of effects pedals (overdrive, delay, distortion, sustain), then a vocal harmony box. With a full-featured set of pre- and post-effects modules, customizable presets and a deep catalog of amplifier emulation available, Fender has made it pretty easy to sound however you want, provided you're OK with a solid-state sound rather than a tube-based one. That's the Mustang GT promise, and - for the most part - Fender succeeds. Imagine being able to sound like Prince, AC/DC and Chic in quick succession onstage without having to change out any of your gear. The Fender Mustang GT series of amplifiers, consisting of 40-, 100- and 200-watt models, aims to squeeze a range of classic Fender sounds into a single digital cabinet. You need to be able to sound like a wide range of different guitar players, each with their own distinct sound - much of which is based on their unique amplifier and effects profile. Playing the electric guitar in a cover band can be complex.
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